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I always felt a very high respect for Mr. Gonçalo Byrne.
He is not only a great architect, but before anything else he is a very valuable human beeing.
I used to think that he was my kindest client.
On location, he invariably took care that I enjoyed the best possible accommodations, that I got served the best food and wine.
Sadly, somehow along the way, our paths drifted away and I seldom see him these days.
In spite of that, I will forever maintain that he is a very cordial and polite person, a true gentleman!
He is not only a great architect, but before anything else he is a very valuable human beeing.
I used to think that he was my kindest client.
On location, he invariably took care that I enjoyed the best possible accommodations, that I got served the best food and wine.
Sadly, somehow along the way, our paths drifted away and I seldom see him these days.
In spite of that, I will forever maintain that he is a very cordial and polite person, a true gentleman!
Caixa Geral de Depósitos, Arraiolos, 1993.
Caixa Geral de Depósitos, Arraiolos, 1993.
The above photographs actually mark the very first time that I got an assignment from Gonçalo Byrne. I made most images in color, but I choose to show some black and white for the time being.
Faculdade de Informática e Electrónica, Pólo II, Universidade de Coimbra, 1994.
Edifício da Capitania, Marina de Lagos, 1994.
Edifício da Capitania, Marina de Lagos, 1994.
Palácio Nacional da Ajuda, Lisbon (project).
Palácio Nacional da Ajuda, Lisbon (project).
I can't exactly recall the equipment that I used to make the images shown above, but I guess that most, if not all, were made with a Sinar f2 camera in 4x5 inches/9x12 cm.
I enlarged the photographs in the traditional wet darkroom. The scanning was produced from the gelatin silver prints using the Epson 4990 Photo.
I made the portrait of Mr. Byrne using a Canon EOS 1n + Canon EF 70-200mm f/2.8 L USM.
(I hate these long and complicated names!!!).
I enlarged the photographs in the traditional wet darkroom. The scanning was produced from the gelatin silver prints using the Epson 4990 Photo.
I made the portrait of Mr. Byrne using a Canon EOS 1n + Canon EF 70-200mm f/2.8 L USM.
(I hate these long and complicated names!!!).
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Descobri hoje por acaso este seu blog e o seu trabalho, fascinante !
ReplyDeleteRui Pires
http://1x.com/member/16884/rui-pires/
No matter what camera you use, your photos have that quality about them, Rui. I read with respect what you wrote about Mr Byrne. What a fine gentleman. :-)
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