Minha Namorada

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Alfama, Lisboa - Julho de 1987

(Hasselblad 500 EL/M)

"Minha Namorada" - Vinicius de Moraes / Carlos Lyra

 

Se você quer ser minha namorada

Ah, que linda namorada você poderia ser

Se quiser ser somente minha

Exatamente essa coisinha, essa coisa toda minha

Que ninguém mais pode ser

Você tem que me fazer um juramento

De só ter um pensamento, ser só minha até morrer

E também de não perder esse jeitinho de falar devagarinho

Essas histórias de você

E de repente me fazer muito carinho

E chorar bem de mansinho sem ninguém saber porquê.

E se mais do que minha namorada
Você quer ser minha amada, minha amada, mas amada pra valer
Aquela amada pelo amor predestinada
Sem a qual a vida é nada, sem a qual se quer morrer
Você tem que vir comigo em meu caminho
E talvez o meu caminho seja triste pra você.
Os seus olhos tem que ser só dos meus olhos
Os seus braços o meu ninho no silêncio de depois
E você tem que ser a estrela derradeira
Minha amiga e companheira
No infinito de nós dois.

 

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Sofia and Ricardo Got Married - September 10, 2011

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My nephew Ricardo and Sofia got married last September.

I decided to take the chance and use the occasion to make some classical Leica photography: unobtrusive and intimate. The kind of stuff Leicas are good at and got famous for!

In black and white film, of course!

I chose two Leica M bodies (a M3 from 1955, - yes, that’s the year of my birth! and a M4 from 1968/69 respectively, - yes, that’s the year the first men landed on the moon!) and a couple of lenses:
 Super-Angulon 21mm f/3.4  (a really true non-retrofocus classic, designed and built by Schneider and resold by Leitz), Summicron 35mm f/2.0  (the often called “king of Bokeh, whatever people mean by that…), and the very enjoyable and small Tele-Elmarit 90mm f/2.8 (sadly in the meantime vanished from the Leica catalogue, I will forever treasure it!).

As film material, I picked up Agfa APX 100 (another true classic) and the new Kodak T-Max 400 (my concession to modern technology…).

I stuffed it all, together with a Gossen Variosix F lightmeter, in a small Leitz Kombitasche M.

 I was ready to go!

Wishing this nice couple all the best in the world, a wonderful song as food for thought:

“Congratulations” – Paul Simon

Congratulations
Oh, seems like you’ve done it again
And I ain’t had such misery since
Since I don’t know when,
Oh, and I don’t know when


I notice so many people
Slippin’ away
And many more waiting in the lines
In the courtrooms today
Oh, in the courtrooms today

Love is not a game
Love is not a toy
Love’s no romance
Love will do you in
And love will wash you out
And needless to say
You won’t stand a chance, and you won’t stand a chance.

I’m hungry for learning
Won’t you answer me, please?
Can a man and a woman
Live together in peace?
Oh, live together in peace

(From the album Paul Simon - 1971)

Technical Data:

Cameras - Leica M3 + Leica M4

Lenses - Super Angulon 21mm + Summicron 35mm + Tele Elmarit 90mm

Films - Agfa APX 100 + Kodak T-Max 400

Developer - Kodak D-76, diluted 1+1

Location - Setúbal, Portugal

Date - 10th of September 2011

Scanner - Epson 4990 Photo

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Hasselblad 500 C/M - Heidelberg Altklinikum, November 1988

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Camera: Hasselblad 500 C/M
Lenses: Carl Zeiss Distagon C 4/50mm, Carl Zeiss Planar C 2.8/80mm
Yellow or Red filter
Film: Kodak T-Max 400
Developer: Kodak D-76, diluted 1+1
Location: Heidelberg, Germany
Date: 1st of November, 1988

Scanner: Epson 4990 Photo


No words today!





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Assorted Moments

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I have been turning the pages of an old book that I bought in Cologne, Germany, in 1982. Every once in a while I like to glance through it.

I am talking about a little volume with photographs by André Kertész, called "Americana", edited by Nicolas Ducrot and published in 1979 by Visual Books Inc., New York City.

I must confess that I am not necessarily a great admirer of Kertész, although I find some of his images absolutely outstanding.
It is such a case with this book, and also with the book "Of New York", for example.

Both show some extraordinary work, and both also display some images that look almost commonplace...

My humble opinion...

But doesn't that happens to all of us? Don't we all have our very special days?

Minolta SRT 101, HP5 in Emofin, Bretagne, France, February 1977

Without daring to compare myself with this exceptional photographer, I feel that many of my images are rather average, too much trivial, too much "bread and butter"...

To discard our own not-so-much-interesting images is not an easy task for sure, as they are a good part of our own memory, of our own heritage, our legacy for the future.

Having said that, life has shown me that the patina of time suddenly can turn a common photograph into one deserving better attention.

Minolta SRT 101, HP5 in Emofin, Bretagne, France, February 1977

Minolta SRT 101, HP5 in Emofin, Bretagne, France, February 1977

Minolta SRT 101, HP5 in Emofin, Mont-Saint-Michel, France, February 1977

Minolta SRT 101, HP5 in Emofin, Normandie, France, February 1977

These are images from my "Minolta Years", from my beginnings as a photographer.

Amateur photographer, that is...

Amateur in the true sense of the word: I ate and slept photography. I nourished my body and soul with it.

I was obsessed and passionate about it.

I was in love with it!

Leica M4-2, Strasbourg, France, April 1982

In the meantime, I had traded all my Minolta equipment for the Leica rangefinder system (except for the light-meters. I still use a Minolta Spotmeter).

As far as I can recall, I was by then only using Leica / Leitz cameras and lenses. It simply better suited my street-photography style, that I used to practice almost exclusively in those days.

I still miss my Minolta XM and the very fine Minolta Rokkor f1.8 35mm, though.

I should have kept them...

Leica M2, HP5 in D-76 1+1, Bremen, Germany, March 1984

Leica M2, HP5 in D-76 1+1, Bremen, Germany, March 1984

Leica M2, HP5 in D-76 1+1, Bremen, Germany, March 1984

Leica M3, HP5 in D-76 1+1, Bremen, Germany, March 1984

Leica M3, HP5 in D-76 1+1, Bremen, Germany, March 1984

Leica M2, HP5 in D-76 1+1, Bremen, Germany, March 1984

As far as I remember, I only went once in my life to Bremen. From these short visit, I don't have much memories left, but some photographs...

Hasselblad 500CM + Carl Zeiss 60mm Distagon C, TMY in D-76 1+1,
Lisboa, Portugal, August 1988

Hasselblad 500CM + Carl Zeiss 60mm Distagon C, TMY in D-76 1+1,
Lisboa, Portugal, August 1988

When I took these photographs in Lisbon, I also was already using medium format on a regular basis.

I found it to be a nice complement to my 35mm rangefinders.

There was still a lot to come, though...

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